MIA SCREENS: SEBASTIAN WIEDEMANN

MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More

MIA SCREENS: LILY ASHROWAN

MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More

MIA SCREENS: JOHNNY CLYDE

MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More

COLLECTION #4: FELINES AND CANINES

Featuring works by Lumière Brothers, Andy Warhol, George Kuchar, Agnès Varda, Carolee Schneeman, B. Wurtz, Chris Marker, Joyce Wieland, Alexander Hammid & Maya Deren, and Peter Treherne.

INTERVIEW: KELLY RICHARDSON

Sarahjane Swan & Roger Simian interview moving image artist Kelly Richardson.

21 REFLECTIONS ON CREATIVITY AND CINEMA IN THE 21ST CENTURY

21 Reflections On Creativity and Cinema, by Daniel & Clara.

INTERVIEW: DANIEL & CLARA

Throughout 2018 Daniel & Clara were artists in residence at Exploding Appendix. As a part of this residency, they were … More

REVIEW: SLEEP HAS HER HOUSE (2017)

Nikola Gocić reviews Sleep Has Her House, 2017, directed by Scott Barley

REVIEW: ORPHINE (2014)

Nikola Gocić reviews Orphine, 2014, directed by Sarahjane Swan & Roger Simian

REVIEW: THE KINGDOM OF SHADOWS (2016)

Nikola Gocić reviews The Kingdom Of Shadows, 2016, directed by Daniel Fawcett & Clara Pais

NEWS: MICROCINEMA BOOK

Over the last couple of months, we have been assisting film programmer James Mackay in designing and editing a new … More

NEWS: TOWARDS A NEW ART CINEMA

We are very happy to have our essay ‘Towards a New Art Cinema’ re-published in Hambre Dossier: Intervalos aberrantes / Aberrant Intervals. This essay contains excerpts from ‘The Quest For The Cine-Rebis’ which was originally published in FILM PANIC Magazine in April 2016.

INTERVIEW: STELLA STARR

Daniel Fawcett & Clara Pais interview Jeff Keen’s daughter and collaborator, Stella Starr. Originally published in Film Panic Magazine, issue 1, June 2013