THE STORY OF OPHELIA

Tereza Stehlikova talks about her ongoing Ophelia project featuring a character who became trapped inside a virtual world during the pandemic.

THE BALLAD OF LOOSII NINJAS

Loosii Ninjas on the making of their interactive Google Street View works.

UNQUIET NATURE, JELLY RATS AND EVERYTHING IN-BETWEEN

Adonia Bouchehri talks about the potential of moving image to create in-between-spaces where lived and imagined experiences meet.

YORKSHIRE DIRT

Edd Carr reflects on his process of animating images printed on soil.

THE MATERIALITY OF MEDIA

Courtlin Byrd reflects upon the process of discovery that comes from using found footage gleaned from youtube.

LET RIP: RIPPING, REMIXING AND REINVENTING MATERIALS AND ME

Lee Campbell shares his journey of using the ‘rip’ as a way of re-engaging with past work and past selves during the pandemic.

ALCHEMY AND IMAGE: FILM PRACTICE AS A TOOL FOR TRANSFORMATION

Léna Lewis-King explores the tensions between the concrete and the virtual in her work as a way of confronting patriarchal perspectives.

EBBS AND FLOWS; THE OCEAN AS COLLABORATOR

Georgie Brinkman reflects on human/non-human collaboration through the making of her recent video installation.

ATTIC WINDOWS OF THE INFINITE: A CINEMA OF MANY DIMENSIONS

Sapphire Goss explores the filmmaking potentials of stereoscopy, from early cinema and photography to the digital age.

HOLE IN THE HEAD

Dean Kavanagh reflects on the making of his latest feature film ‘Hole In The Head’, in a conversation with critic Borja Castillejo Calvo and the film’s cast.

THE MOVEMENT IN THE MOMENT, OR, WHAT ARE YOU DOING NOW?

Graeme Cole proposes a curriculum for a new filmmaking school which champions the amateur and the absurdist over the professional.

SUBMIT HERE

Calling all moving image artists and experimental filmmakers, we are now taking submissions for the 4th issue of MIA Journal!

WALKING IN CIRCLES

Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.

MAKING A FILM LIKE A FARMER MIGHT

Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.

SQUARE EYES, SQUARE LANDSCAPES

Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.