Tereza Stehlikova talks about her ongoing Ophelia project featuring a character who became trapped inside a virtual world during the pandemic.
Tag: Filmmaking
THE BALLAD OF LOOSII NINJAS
Loosii Ninjas on the making of their interactive Google Street View works.
UNQUIET NATURE, JELLY RATS AND EVERYTHING IN-BETWEEN
Adonia Bouchehri talks about the potential of moving image to create in-between-spaces where lived and imagined experiences meet.
YORKSHIRE DIRT
Edd Carr reflects on his process of animating images printed on soil.
THE MATERIALITY OF MEDIA
Courtlin Byrd reflects upon the process of discovery that comes from using found footage gleaned from youtube.
LET RIP: RIPPING, REMIXING AND REINVENTING MATERIALS AND ME
Lee Campbell shares his journey of using the ‘rip’ as a way of re-engaging with past work and past selves during the pandemic.
ALCHEMY AND IMAGE: FILM PRACTICE AS A TOOL FOR TRANSFORMATION
Léna Lewis-King explores the tensions between the concrete and the virtual in her work as a way of confronting patriarchal perspectives.
EBBS AND FLOWS; THE OCEAN AS COLLABORATOR
Georgie Brinkman reflects on human/non-human collaboration through the making of her recent video installation.
ATTIC WINDOWS OF THE INFINITE: A CINEMA OF MANY DIMENSIONS
Sapphire Goss explores the filmmaking potentials of stereoscopy, from early cinema and photography to the digital age.
HOLE IN THE HEAD
Dean Kavanagh reflects on the making of his latest feature film ‘Hole In The Head’, in a conversation with critic Borja Castillejo Calvo and the film’s cast.
THE MOVEMENT IN THE MOMENT, OR, WHAT ARE YOU DOING NOW?
Graeme Cole proposes a curriculum for a new filmmaking school which champions the amateur and the absurdist over the professional.
SUBMIT HERE
Calling all moving image artists and experimental filmmakers, we are now taking submissions for the 4th issue of MIA Journal!
WALKING IN CIRCLES
Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.
MAKING A FILM LIKE A FARMER MIGHT
Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.
SQUARE EYES, SQUARE LANDSCAPES
Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.
WEATHERING THE SLOW FILM FESTIVAL
Festival director Peter Treherne explores the influence of weather on three films screened at SFF 2019
INTERVIEW: ALEKSANDRA NIEMCZYK
‘Baba Vanga’ interview with Aleksandra Niemczyk, at Slow Film Festival 2019
FESTIVAL Q&A: TOM SCHÖN
‘Sec Rouge’ Q&A with Tom Schön, at Slow Film Festival 2019
FESTIVAL Q&A: KASPAR PETERS
‘Nordic Grammar’ Q&A with Kaspar Peters, at Slow Film Festival 2019
FESTIVAL Q&A: MELTSE VAN COILLIE
‘elephantfish’ Q&A with Meltse Van Coillie, at Slow Film Festival 2019