Moving Image Artists (MIA) is an organisation dedicated to supporting and cultivating contemporary moving image art and experimental film.
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists…
Everything Forever is a 3-week online exhibition featuring more than 90 artists from around the globe who met on…
An online exhibition of artist’s films featuring works by Peter Treherne, Daniel & Clara, Amy Cutler, Katie McFadden, Edwin Rostron, Susu Laroche, Toby Tatum, and Scott Barley
Sapphire Goss introduces ‘Interior: an Exquisite Corpse film’ (2020), a collaborative project created during the covid-19 lockdown.
‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand A plus interviews with the artists who made it.
‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand B plus interviews with the artists who made it.
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists…
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists…
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists…
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists…
Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.
Scott Barley shares his nocturnal reflections on landscapes and filmmaking.
Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.
Seán Vicary reflects upon memory and landscape in the making of his film ‘Chain Home West’.
Al Brydon introduces his short landscape film ‘Pantha Puncha’, and tells the tale of a late night encounter with a shadowy creature.
Autojektor retraces the steps of making her Super 8 film ‘Basilisk’ in the Black Forest.
Chris Lynn on the contemplation of landscape in his work.
Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.
Karel Doing explores approaches to filmmaking and the non-human in the age of ecocide.
Katie Grace McFadden on landscape and alienation in the digital age.
Joe Banks excavates the layers of ideas and associations buried within his video installation ‘Ammonite’.
