YORKSHIRE DIRT

Edd Carr reflects on his process of animating images printed on soil.

EBBS AND FLOWS; THE OCEAN AS COLLABORATOR

Georgie Brinkman reflects on human/non-human collaboration through the making of her recent video installation.

ATTIC WINDOWS OF THE INFINITE: A CINEMA OF MANY DIMENSIONS

Sapphire Goss explores the filmmaking potentials of stereoscopy, from early cinema and photography to the digital age.

MOVING IMAGE PROGRAMME

An online exhibition of artist’s films featuring works by Peter Treherne, Daniel & Clara, Amy Cutler, Katie McFadden, Edwin Rostron, Susu Laroche, Toby Tatum, and Scott Barley

WALKING IN CIRCLES

Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.

NIGHT THOUGHTS

Scott Barley shares his nocturnal reflections on landscapes and filmmaking.

MAKING A FILM LIKE A FARMER MIGHT

Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.

CHAIN HOME WEST: FIELD NOTES

Seán Vicary reflects upon memory and landscape in the making of his film ‘Chain Home West’.

PANTHA PUNCHA

Al Brydon introduces his short landscape film ‘Pantha Puncha’, and tells the tale of a late night encounter with a shadowy creature.

SCHWARZWALD//BASILISK

Autojektor retraces the steps of making her Super 8 film ‘Basilisk’ in the Black Forest.

NOTES ON EXPLORING LANDSCAPES AS A CREATIVE PRACTICE

Chris Lynn on the contemplation of landscape in his work.

SQUARE EYES, SQUARE LANDSCAPES

Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.