Tereza Stehlikova talks about her ongoing Ophelia project featuring a character who became trapped inside a virtual world during the pandemic.
Adonia Bouchehri talks about the potential of moving image to create in-between-spaces where lived and imagined experiences meet.
Edd Carr reflects on his process of animating images printed on soil.
Courtlin Byrd reflects upon the process of discovery that comes from using found footage gleaned from youtube.
Anna Malina dissects her own practice and the creative potentials of the GIF.
Léna Lewis-King explores the tensions between the concrete and the virtual in her work as a way of confronting patriarchal perspectives.
Georgie Brinkman reflects on human/non-human collaboration through the making of her recent video installation.
Sapphire Goss explores the filmmaking potentials of stereoscopy, from early cinema and photography to the digital age.
Dean Kavanagh reflects on the making of his latest feature film ‘Hole In The Head’, in a conversation with critic Borja Castillejo Calvo and the film’s cast.
Graeme Cole proposes a curriculum for a new filmmaking school which champions the amateur and the absurdist over the professional.
Calling all moving image artists and experimental filmmakers, we are now taking submissions for the 4th issue of MIA Journal!
An online exhibition of artist’s films featuring works by Peter Treherne, Daniel & Clara, Amy Cutler, Katie McFadden, Edwin Rostron, Susu Laroche, Toby Tatum, and Scott Barley
Sapphire Goss introduces ‘Interior: an Exquisite Corpse film’ (2020), a collaborative project created during the covid-19 lockdown.
‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand A plus interviews with the artists who made it.
‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand B plus interviews with the artists who made it.
Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.