THE STORY OF OPHELIA

Tereza Stehlikova talks about her ongoing Ophelia project featuring a character who became trapped inside a virtual world during the pandemic.

UNQUIET NATURE, JELLY RATS AND EVERYTHING IN-BETWEEN

Adonia Bouchehri talks about the potential of moving image to create in-between-spaces where lived and imagined experiences meet.

YORKSHIRE DIRT

Edd Carr reflects on his process of animating images printed on soil.

FOLLOWING THE I: THE BUSINESS OF BEING WATCHED

Kin | Cultura Plasmic INC examines surveillance through moving image practices beyond the realm of CCTV.

THE MATERIALITY OF MEDIA

Courtlin Byrd reflects upon the process of discovery that comes from using found footage gleaned from youtube.

LET RIP: RIPPING, REMIXING AND REINVENTING MATERIALS AND ME

Lee Campbell shares his journey of using the ‘rip’ as a way of re-engaging with past work and past selves during the pandemic.

DE-/CONSTRUCTION OF A .GIF

Anna Malina dissects her own practice and the creative potentials of the GIF.

ALCHEMY AND IMAGE: FILM PRACTICE AS A TOOL FOR TRANSFORMATION

Léna Lewis-King explores the tensions between the concrete and the virtual in her work as a way of confronting patriarchal perspectives.

EBBS AND FLOWS; THE OCEAN AS COLLABORATOR

Georgie Brinkman reflects on human/non-human collaboration through the making of her recent video installation.

ATTIC WINDOWS OF THE INFINITE: A CINEMA OF MANY DIMENSIONS

Sapphire Goss explores the filmmaking potentials of stereoscopy, from early cinema and photography to the digital age.

THE MOVEMENT IN THE MOMENT, OR, WHAT ARE YOU DOING NOW?

Graeme Cole proposes a curriculum for a new filmmaking school which champions the amateur and the absurdist over the professional.