Sapphire Goss introduces ‘Interior: an Exquisite Corpse film’ (2020), a collaborative project created during the covid-19 lockdown.
Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.
Scott Barley shares his nocturnal reflections on landscapes and filmmaking.
Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.
Seán Vicary reflects upon memory and landscape in the making of his film ‘Chain Home West’.
Al Brydon introduces his short landscape film ‘Pantha Puncha’, and tells the tale of a late night encounter with a shadowy creature.
Autojektor retraces the steps of making her Super 8 film ‘Basilisk’ in the Black Forest.
Chris Lynn on the contemplation of landscape in his work.
Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.
Karel Doing explores approaches to filmmaking and the non-human in the age of ecocide.
Katie Grace McFadden on landscape and alienation in the digital age.
Joe Banks excavates the layers of ideas and associations buried within his video installation ‘Ammonite’.
Yvonne Salmon and James Riley gather research and reflections on their expanded cinema project ‘Headlands’.
Toby Tatum dives deep into the subterranean landscapes of the mind.
A summary of Slow Film Festival 2019 by festival juror Giuliano Vivaldi
A reflection on the big screen vs small screen viewing experience by festival programmer Nadin Mai
Festival director Peter Treherne explores the influence of weather on three films screened at SFF 2019
A response to the themes of Slow Film Festival 2019 by film critic Savina Petkova
Following his seminar at SSF 2019, Emre Çağlayan reflects on cinema and walking
Featuring works by Lumière Brothers, Andy Warhol, George Kuchar, Agnès Varda, Carolee Schneeman, B. Wurtz, Chris Marker, Joyce Wieland, Alexander Hammid & Maya Deren, and Peter Treherne.