CORPO-REALITY AND FILM: EXQUISITE CORPSES, CHIMERAS AND BODIES

Sapphire Goss introduces ‘Interior: an Exquisite Corpse film’ (2020), a collaborative project created during the covid-19 lockdown.

INTERIOR: AN EXQUISITE CORPSE FILM – STRAND A

‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand A plus interviews with the artists who made it.

INTERIOR: AN EXQUISITE CORPSE FILM – STRAND B

‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand B plus interviews with the artists who made it.

MIA SCREENS: SARAHJANE SWAN & ROGER SIMIAN

MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More

MIA SCREENS: JASON MOYES

MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More

MIA SCREENS: EDWIN ROSTRON

MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More

MIA SCREENS: TESSA GARLAND

MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More

WALKING IN CIRCLES

Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.

NIGHT THOUGHTS

Scott Barley shares his nocturnal reflections on landscapes and filmmaking.

MAKING A FILM LIKE A FARMER MIGHT

Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.

CHAIN HOME WEST: FIELD NOTES

Seán Vicary reflects upon memory and landscape in the making of his film ‘Chain Home West’.

SCHWARZWALD//BASILISK

Autojektor retraces the steps of making her Super 8 film ‘Basilisk’ in the Black Forest.

SQUARE EYES, SQUARE LANDSCAPES

Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.