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Moving Image Artists (MIA) is an organisation dedicated to supporting and cultivating contemporary moving image art and experimental film.

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Category: MIA 2

WALKING IN CIRCLES

Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.

Art, Artist Moving Image, British Film, Contemplative cinema, Contemporary cinema, Creative Process, Daniel & Clara, Diary, Experimental Film, Filmmaking, Landscape Film, Narrative, New Visionary Cinema, Notes From A Journey, Short Film, Weather, Writing

NIGHT THOUGHTS

Scott Barley shares his nocturnal reflections on landscapes and filmmaking.

Artist Moving Image, Contemplative cinema, Contemporary cinema, Environment, Experimental Film, Landscape Film, New Visionary Cinema, Scott Barley, Writing

MAKING A FILM LIKE A FARMER MIGHT

Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.

Artist Moving Image, Atmospheric Pressure, Contemplative cinema, Contemporary cinema, Environment, Experimental Film, Filmmaking, Landscape Film, Peter Treherne, Slow Cinema, Slow Film Festival, Weather

CHAIN HOME WEST: FIELD NOTES

Seán Vicary reflects upon memory and landscape in the making of his film ‘Chain Home West’.

Art, Artist Moving Image, Chain Home West, Environment, Experimental Film, Field Notes, Landscape Film, Seán Vicary, Writing

PANTHA PUNCHA

Al Brydon introduces his short landscape film ‘Pantha Puncha’, and tells the tale of a late night encounter with a shadowy creature.

Al Brydon, Artist Moving Image, Environment, Landscape Film

SCHWARZWALD//BASILISK

Autojektor retraces the steps of making her Super 8 film ‘Basilisk’ in the Black Forest.

Alchemy, Artist Moving Image, Autojektor, Celluloid Film, Contemplative cinema, Experimental Film, Landscape Film, Moving Image Salon

NOTES ON EXPLORING LANDSCAPES AS A CREATIVE PRACTICE

Chris Lynn on the contemplation of landscape in his work.

Artist Moving Image, Chris Lynn, Contemplative cinema, Landscape Film

SQUARE EYES, SQUARE LANDSCAPES

Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.

All Her Beautiful Green Remains In Tears, Amy Cutler, Animals on Film, Artist Moving Image, Documentary, Environment, Experimental Film, Filmmaking, Geography, Landscape Film, Narrative, Nature documentary, Neural network, Psychogeography, Writing

LANDSCAPE IN THE AGE OF ACCELERATED ECOCIDE

Karel Doing explores approaches to filmmaking and the non-human in the age of ecocide.

Animals on Film, Animation, Art, Artist Moving Image, Celluloid Film, Chris Welsby, Emily Richardson, Environment, Experimental Film, Hand-processing, Karel Doing, Landscape Film, Manon Riet, Phytography, Sky Hopinka, The Mulch Spider's Dream, Weather, Writing

A CYBERNATED LANDSCAPE

Katie Grace McFadden on landscape and alienation in the digital age.

Artist Moving Image, Contemplative cinema, Contemporary cinema, Environment, Experimental Film, Katie McFadden, Landscape Film

AMMONITE PRODUCTION NOTES

Joe Banks excavates the layers of ideas and associations buried within his video installation ‘Ammonite’.

Ammonite, Artist Moving Image, Contemplative cinema, David Cronenberg, Environment, Geoffrey Grigson, Joe Banks, Landscape Film, Moving Image Salon, Video Installation, Videodrome

HEADLANDS, A PRELIMINARY REPORT

Yvonne Salmon and James Riley gather research and reflections on their expanded cinema project ‘Headlands’.

Artist Moving Image, Cornwall, Diary, Environment, Expanded Cinema, Hauntology, J. G. Ballard, James Riley, Landscape Film, Psychogeography, Publications, Yvonne Salmon

THE DEEP WELL

Toby Tatum dives deep into the subterranean landscapes of the mind.

Art, Artist Moving Image, Contemplative cinema, Contemporary cinema, Environment, Experimental Film, Landscape Film, New Visionary Cinema, Toby Tatum, Writing

MOVING IMAGE ARTISTS

Moving Image Artists (MIA) is an organisation dedicated to supporting and cultivating contemporary moving image art and experimental film.

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