Sapphire Goss introduces ‘Interior: an Exquisite Corpse film’ (2020), a collaborative project created during the covid-19 lockdown.
Author: Moving Image Artists
Moving Image Artists (MIA) is an organisation dedicated to supporting and cultivating contemporary moving image art and experimental film.
INTERIOR: AN EXQUISITE CORPSE FILM – STRAND A
‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand A plus interviews with the artists who made it.
INTERIOR: AN EXQUISITE CORPSE FILM – STRAND B
‘Interior: an Exquisite Corpse film’, a collaborative project initiated by artist Sapphire Goss during the covid-19 lockdown. Included here is strand B plus interviews with the artists who made it.
MIA SCREENS: SARAHJANE SWAN & ROGER SIMIAN
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More
MIA SCREENS: JASON MOYES
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More
MIA SCREENS: EDWIN ROSTRON
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More
MIA SCREENS: TESSA GARLAND
MIA Screens is an online showcase featuring contemporary experimental films and artist moving image works with introductions by the artists … More
WALKING IN CIRCLES
Daniel & Clara on the creative process, detours, landscape films and the impact of place on their work.
NIGHT THOUGHTS
Scott Barley shares his nocturnal reflections on landscapes and filmmaking.
MAKING A FILM LIKE A FARMER MIGHT
Peter Treherne’s account of shooting his film ‘Atmospheric Pressure’ on a Sussex farm.
CHAIN HOME WEST: FIELD NOTES
Seán Vicary reflects upon memory and landscape in the making of his film ‘Chain Home West’.
PANTHA PUNCHA
Al Brydon introduces his short landscape film ‘Pantha Puncha’, and tells the tale of a late night encounter with a shadowy creature.
SCHWARZWALD//BASILISK
Autojektor retraces the steps of making her Super 8 film ‘Basilisk’ in the Black Forest.
NOTES ON EXPLORING LANDSCAPES AS A CREATIVE PRACTICE
Chris Lynn on the contemplation of landscape in his work.
SQUARE EYES, SQUARE LANDSCAPES
Amy Cutler reflects upon the making of her film ‘All Her Beautiful Green Remains in Tears’ and untangles the complex ideologies within nature documentary.
LANDSCAPE IN THE AGE OF ACCELERATED ECOCIDE
Karel Doing explores approaches to filmmaking and the non-human in the age of ecocide.
A CYBERNATED LANDSCAPE
Katie Grace McFadden on landscape and alienation in the digital age.
AMMONITE PRODUCTION NOTES
Joe Banks excavates the layers of ideas and associations buried within his video installation ‘Ammonite’.
HEADLANDS, A PRELIMINARY REPORT
Yvonne Salmon and James Riley gather research and reflections on their expanded cinema project ‘Headlands’.
THE DEEP WELL
Toby Tatum dives deep into the subterranean landscapes of the mind.
